File(s) not publicly available
Touch-less: Wearable music and the score-theatre
journal contribution
posted on 2023-07-26, 14:23 authored by Simone SpagnoloThis article reflects on the idea of the music score as a wearable theatrical prop, an idea able both to envisage theatrical gestures as the outgrowth of music notation and epitomize the intangibility of music by means of 'ostented' dramaturgical objects. Through an exploration of Touch-less: Wearable Graphic Scores for One Acting Singer, a self-composed work, this article discusses the compositional and aesthetic processes that emerge from the combination of a graphically notated score and the idea of wearable-score-prop within the framework of new music theatre, a combination that eventually leads toward an appreciation of the score-theatre. The discussion takes into consideration relevant examples and concepts put forward by Karlheinz Stockhausen, Mauricio Kagel and Sylvano Bussotti. Similarly, it proposes connections between the idea of score-prop and the aesthetic properties of the calligram.
History
Refereed
- Yes
Volume
11Issue number
2Page range
147-164Publication title
Studies in Musical TheatreISSN
1750-3159External DOI
Publisher
IntellectLanguage
- other
Official URL
Legacy posted date
2018-06-25Legacy Faculty/School/Department
ARCHIVED Faculty of Arts, Law & Social Sciences (until September 2018)Usage metrics
Categories
No categories selectedLicence
Exports
RefWorks
BibTeX
Ref. manager
Endnote
DataCite
NLM
DC