Implementation and development of interfaces for music performance through analysis of improvised dance movements

Hoadley, Richard (2010) Implementation and development of interfaces for music performance through analysis of improvised dance movements. In: the 128th Audio Engineering Society Convention (AES 2010), 22-25 May 2010, London, UK.

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Abstract

Electronic music, even when designed to be interactive, can lack performance interest and is frequently musically unsophisticated. This is unfortunate because there are many aspects of electronic music that can be interesting, elegant, demonstrative and musically informative. The use of dancers to interact with prototypical interfaces comprising clusters of sensors generating music algorithmically provides a method of investigating human actions in this environment. This is achieved through collaborative work involving software and hardware designers, composers, sculptors and choreographers who examine aesthetically and practically the interstices of these disciplines. The proposed paper investigates these interstices.

Item Type:	Conference or Workshop Item (Paper)
Keywords:	music
Faculty:	ARCHIVED Faculty of Arts, Law & Social Sciences (until September 2018)
Depositing User:	Repository Admin
Date Deposited:	25 Jun 2013 13:40
Last Modified:	09 Sep 2021 19:03
URI:	https://arro.anglia.ac.uk/id/eprint/294521

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