Hoadley, Richard (2010) Form and function: examples of music interface design. In: 24th British Computer Society Conference on Human-Computer Interaction (BCS-HCI 2010), 6-10 September 2010, Dundee, UK.
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Abstract
This paper presents observations on the creation of digital music controllers and the music that they generate from the perspectives of the designer and the artist. In the case of musical instruments, what is the role of the form (the hardware) where it concerns the function (the production of musically interesting sounds)? Specific projects are presented, and a set of operational principles is supported from those examples. The associated encounter session will allow delegates to experiment with the interfaces exhibited, further informing these principles.
| Item Type: | Conference or Workshop Item (Paper) |
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| Keywords: | Music, Interface, Algorithm, Embodiment, Dance |
| Faculty: | ARCHIVED Faculty of Arts, Law & Social Sciences (until September 2018) |
| Depositing User: | Repository Admin |
| Date Deposited: | 25 Jun 2013 13:36 |
| Last Modified: | 11 May 2022 15:02 |
| URI: | https://arro.anglia.ac.uk/id/eprint/294509 |
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