Breakthrough and Collapse (Article) MFred2.docx (536.36 kB)
Breakthrough and Collapse in Carl Nielsen's Sinfonia semplice
journal contribution
posted on 2023-08-30, 14:47 authored by Christopher TarrantThe tension between Carl Nielsen’s status as a modernist and his engagement with symphonic form has been a point of sustained scholarly interest in recent years. His Sinfonia semplice (1925) has posed some of the most searching questions for musicologists, formal as well as hermeneutic. Although the work’s title alludes to its straightforwardly conventional layout in four movements and its sometimes childlike thematic materials, the events that occur in the course of the symphony, formal, tonal, and narrative, are far from simple. This article offers a reading of the Sinfonia semplice which draws on Adorno’s categories of ‘breakthrough’ and ‘collapse’, Sonata Theory, and Northrop Frye’s theory of narrative. The denial of straightforwardly heroic or tragic narrative trajectories, I argue, offers further insight into the contribution to interwar modernism that can be found in late Nielsen.
History
Refereed
- Yes
Volume
41Issue number
1Page range
32-49Publication title
Danish Yearbook of MusicologyISSN
2245-4969Publisher
Aarhus University PressFile version
- Accepted version
Language
- eng
Legacy posted date
2017-07-28Legacy creation date
2017-07-11Legacy Faculty/School/Department
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