Framing Forces - Simon Payne.pdf (223.98 kB)
Framing Forces: Models of Cinema Expressed by Films that Frame Painting
journal contribution
posted on 2023-08-30, 14:19 authored by Simon R. PayneThis essay looks at ways in which a number of films have employed painting in order to substantiate the aesthetics of cinema that they envisage. The focus of the essay specifically concerns the differences between centrifugal and centripetal forces at the edges of paintings and the limits of the film frame. Beginning with examples from narrative cinema, the essay turns to look at crossovers between the aesthetics of painting and cinema in the context of experimental film, from early exponents of abstract cinema in the 1920s through to more recent examples.
History
Refereed
- Yes
Volume
1Issue number
1Page range
107-121Publication title
Journal of Contemporary PaintingISSN
2052-6695External DOI
Publisher
IntellectFile version
- Accepted version
Language
- eng
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Legacy posted date
2016-06-29Legacy creation date
2021-11-12Legacy Faculty/School/Department
ARCHIVED Faculty of Arts, Law & Social Sciences (until September 2018)Usage metrics
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