Memories of La Violencia in Colombia in the work of Doris Salcedo.

Acevedo, Beatriz (2011) Memories of La Violencia in Colombia in the work of Doris Salcedo. Journal of Arts and Communities, 2 (2). pp. 105-122. ISSN 1757-1936

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Abstract

The work of Colombian artist Doris Salcedo has become an important reference when talking about art and its representation of violence and exclusion. Following a tradition stemming from the artistic movements of the twentieth century, Salcedo has been acknowledged as one of the most intriguing and original artists in her exploration of public tragedy, the delicate issue of human rights and the trace of violence in those who are left behind. Salcedo’s undertaking does not address those tangible manifestations of evil; instead, her work goes beyond the surface, inviting the spectator to a journey inside… into memories and feelings, into fears and intimate spaces. In this article, I offer a discussion regarding places, intersections and motivations in Salcedo’s oeuvre and suggest some echoes between certain philosophical foundations of her work in relation to human rights in the case of Colombia. This article addresses the invitation for this Special Issue on Arts and Human Rights, focusing on the case of Colombia, where a systematic and ongoing crisis has damaged fundamental human rights for those affected by the civil conflict. In addition, as part of my work in management and organizational studies, I consider how Doris Salcedo’s reflection is relevant to our understanding of labour and contemporary organizations.

Item Type: Journal Article
Keywords: Doris Salcedo, Ethics, Violence, Colombia, Organizational aesthetics
Faculty: Lord Ashcroft International Business School
Depositing User: Dr. Beatriz Acevedo
Date Deposited: 30 Mar 2017 07:56
Last Modified: 30 Mar 2017 07:56
URI: http://arro.anglia.ac.uk/id/eprint/701637

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