Cinesexuality

MacCormack, Patricia (2008) Cinesexuality. UNSPECIFIED. ISBN 9780754671756

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Abstract

Cinesexuality explores the queerness of cinema spectatorship, arguing that cinema spectatorship represents a unique encounter of desire, pleasure and perversion beyond dialectics of subject/object and image/meaning; an extraordinary 'cinesexual' relationship, that encompasses each event of cinema spectatorship in excess of gender, hetero- or homosexuality, encouraging all spectators to challenge traditional notions of what elicits pleasure and constitutes desiring subjectivity. Through a variety of cinematic examples, including abstract film, extreme films and films which present perverse sexuality and corporeal reconfiguration, Cinesexuality encourages a radical shift to spectatorship as itself inherently queer beyond what is watched and who watches. Film as its own form of philosophy invokes spectatorship thought as an ethics of desire. Original, exciting and theoretically sophisticated – focusing on continental philosophy, particularly Guattari, Deleuze, Blanchot, Foucault, Lyotard, Irigaray and Serres – the book will be of interest to scholars and students of queer, gender and feminist studies, film and aesthetics theory, cultural studies, media and communication, post-structural theory and contemporary philosophical thought. Contents: Series editors' preface: for the love of cinema; Spectatorship: an inter-kingdom desire; A cinema of desire: cinesexuality and asemiosis; Cinemasochism; Baroque cinesexuality; Baroque becomings; Zombies without organs; Necrosexuality; The ecosophy of spectatorship; Bibliography; Index.

Item Type: Book
Additional Information: Citation: MacCormack, P., 2008. Cinesexuality. Basingstoke: Ashgate.
Faculty: Faculty of Arts, Law & Social Sciences
Depositing User: Mr I Walker
Date Deposited: 26 Apr 2011 13:27
Last Modified: 07 Jul 2016 12:49
URI: http://arro.anglia.ac.uk/id/eprint/128681

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